Tuesday

Heart of My Heart

I happy to announce that this is a new line of artwork that I am coming out with! It's in the beginning stages, but I'm very excited about it! It is something very different for me, in both style and color. But I have discovered that working with this style allows me to capture something so simple and pure, the emotional essence of a moment. Not an exact memory per say, more like a still frame of the emotion itself. I am unsure of where this will lead, but I feel that it has the potential to grow into something wonderful. I've decided to call this line Heart of My Heart because that is what it is. The core of me. I hope that you see something in these paintings that warms your heart and brings a smile to your face or a tear to your eye. At the very least I hope you feel the love captured in the moment. Thank you for looking, and check back often, The paintings below are show in order, begining with the most recent.









Thursday

Signs

This is the sign from the Delphos Museum in Kansas. The original sign was approximately 9 years old and had been painted by an artist from the New York area that lived in Delphos at that time. I volunteered to revamp it for them charging only for supplies. I used the original sign board to keep cost down, and stayed with similar images, (car, train, hills, etc...). It's dimensions were 4'x8' so I used a projector for the sake of accuracy and because it's such a time saver. I prefer to spend my time in the details and not drawing and redrawing the general outline.

Here is was I started with.









The picture below shows the sign in a kind of "clean slate" moment. I kept the background more simple in order to allow all the focus to go toward the words and images
that would be added next.




And now, the finished product.



I did a lot of research for the images I used as references for this sign. Because I prefer a greater level of detail that what was shown in the original sign I focused more on a quality photo to work from that fit my needs as far as angles and visibility of detail than I did on matching the exact era of car shown in the original.



I left the people out of the car intentionally. I felt that it would allow the viewer to interact with the image using their imagination, "Where is the driver?" "How did the car get there?" "Maybe they went for a picnic." It's more fun sometimes to allow a person to wonder about the absence of something than it is to show them everything they expect to see.


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This is the second train I've painted for a small town mural, the first I did about 7 or 8 years ago and was actually the first official mural I'd ever painted. It was on a much larger scale, and a very rough surface. It was nice to revisit a familiar image with more experience under my belt and on a surface that allowed for more detail.